Monday, May 31, 2021
Cosmic Treason
Sunday, May 30, 2021
William Lane Craig's Error On Metaphysical Space Revisited
Saturday, May 29, 2021
An Irrational Motivation For Preparing For An Apocalyptic Event
Friday, May 28, 2021
How Rationalistic Knowledge Can Enhance Sexual Experiences
Thursday, May 27, 2021
Game Review--The Elder Scrolls: Blades (Switch)
--Junius the Elder, The Elder Scrolls: Blades
Not a traditional Elder Scrolls game by any means, Blades is the Switch equivalent of what is closer to a conventional mobile game for smartphones. In fact, there is a crossplay option that can link progress across the Switch and smartphones, so it is hardly surprising that Blades scarcely resembles more traditional console games. Daily missions and rewards, short missions, limited features, and animation problems are constant reminders of the smaller scope of Blades, although there are those who are still happy with the release of the Switch version.
Production Values
The graphical quality of the game reflects the lack of excellence that defines almost every part of the experience. Environmental objects like trees may pop in as you walk closer, and the game might sometimes slow down when there are not even any enemies onscreen. As for the voice acting, only certain lines of dialogue are even spoken aloud, and the conversations between characters are relatively shallow. There is little to no thorough worldbuilding from any of these sources, visuals and audio included.
Gameplay
Brief, confined missions let the player gain XP and gather resources needed to rebuild a town that was devastated by the Bloodfall Queen. As you walk around the very limited environments, various enemies challenge you, often to single combat. Combat locks the player into facing a single enemy while standing in place until that enemy is defeated. You cannot even see the hands of your own character, as whatever weapon is being used in combat hovers when attacks are being prepared. Spells provide some variety, but the overall mechanics of the fighting are extremely simplistic and restrictive.
More amusingly, "secret areas" in the main "levels" are pitifully obvious: they often are opened by very large, blatant switches. There is an endless Abyss mode that lets you take your character as far into an underground area as possible before being killed, which serves as an alternate way to get XP, yet it does nothing to atone for the deep flaws of the game itself. There is even a multiplayer battle system in the "Arena" that pits players against each other after they confirm armor, weapon, and potion selections from their respective inventories. However, since the Arena is exclusively a combat-based mode, the stifling shallowness of the fighting system is on full display.
Story
There is scarcely anything to spoil, but some spoilers are below all the same.
After the Bloodfall Queen destroys a town, a "Blade," a skilled warrior, returns to find it in ruins. Junius the Elder from Elder Scrolls lore awaits the Blade (who is customized and named by the player), and he provides enough information for the warrior to begin reconstructing the town, rescuing its inhabitants, and defeating groups of threatening enemies.
Intellectual Content
There are no obscure collectibles, philosophical themes, deep characterization aspects, or explorations of sophisticated lore. Blades is one of the shallowest Switch games I have ever played. Perhaps a handful of players will find this to their liking, but the game suffers from a thorough lack of depth on practically all fronts. The many problems of the game do not mean that it has no basis for existing whatsoever, and it is free, yet anyone who expects a deep experience will find that the opposite awaits them.
Conclusion
Blades is no Skyrim. Although it is not a free-to-play game, Skyrim is the wholly superior choice for anyone who wants to play an Elder Scrolls game on the Switch. There is little offered by Blades except a miniscule, trivial look into the world of The Elder Scrolls. It may offer several hours of enjoyment to more casual players--and there is nothing wrong with that--but it is far from a masterpiece or even an artistically significant game.
Content:
1. Violence: You can use magic to attack enemies, such as by using a fire spell to ignite them, and use various physical weapons to slash at them until their health bars are empty.
2. Profanity: When speaking to the Bloodfall Queen for the first time, the word "damn" is used via written text.
Wednesday, May 26, 2021
The Limited Malleability Of Emotions
Tuesday, May 25, 2021
Worship Of Something Is Not Inevitable
Monday, May 24, 2021
Philosophy In Television (Part 7): Watchmen
Sunday, May 23, 2021
Movie Review--Spiral: From The Book Of Saw
Saturday, May 22, 2021
James 4:13-17 And Skepticism Of The Future
Friday, May 21, 2021
The Sabbath Year
Thursday, May 20, 2021
The Philosophical Importance Of Health
Wednesday, May 19, 2021
Talking About Masturbation
It is quite paradoxical that a society fixated on sexuality to the point of confusing nonsexual things like platonic opposite gender friendships, revealing clothing, and nudity for generally sexual natures has such a collective reluctance to even talk about the act of self-pleasuring openly and honestly. Rarely is masturbation talked about intellectually or personally in the same way that other sexual activities are. Even then, other sexual activities are often discussed in very predictable ways that fail to acknowledge the true scope, nature, and importance of sexuality as a philosophical/theological category. It is easier for non-rationalists to remain silent on the matter, or at least on the more culturally unfavored aspects of it.
Silence is one reason assumptions are made by people too philosophically inept or unfocused to think without prompting. When those around them remain quiet, assumptions--such as the assumption that men masturbate to every attractive member of the opposite gender they see, that women do not masturbate regularly or to sensual imagery of men, or that asexuals would not wish to masturbate--might be made and then never examined rationalistically. Sexual repression, confusion, and ignorance tend to follow when silence smothers a truly logical and Biblical analysis of sexuality.
Masturbation is particularly vulnerable to prudery since it does not inherently involve a partner at all. It does not even have to involve sensual imagery, although this can greatly enhance the experience. It can therefore be misunderstood as an exclusively private, selfish act that ignores one's partner (if a person is in a dating or marriage relationship) and encourages a hedonistic focus on oneself. When it is thought of like this, masturbation can be shunned for fallacious reasons beyond basic aversion to sexual expression and openness. This specific form of prudery is an attack on the Biblical freedom of every person to express their sexuality in such a manner.
Openness about masturbation is therefore a very personal and strategic way to overturn prudery. Openness about self-pleasuring can even push back against other forms of prudery broader than just that which targets masturbation. In discussing masturbation as a philosophical and practical issue (not that practicality falls outside the all-encompassing scope of philosophy), one has already taken at least one step towards affirming sexuality as something worthy of contemplation, discussion, and celebration. The vulnerability or transparency necessary to talk about masturbation in a strictly intellectual or a personal sense is antithetical to both legalism and secular prudery! However, men and women sometimes face somewhat unique pressures to avoid such openness.
While women in particular are encouraged by sexist norms to think that there is something abnormal about their masturbation as a whole and about masturbating to imagery of men, men are also pressured to not talk about masturbation or masturbating to imagery of women, at least in some cases, simply as a consequence of the West's leftover prudery. When prudery discourages masturbation and talking about masturbation, the result is often shame around legitimate forms of sexual expression and a hesitation to think about the matter rationalistically. Men and women alike need to be open about masturbation as a serious subject of philosophical exploration and personal expression.
Tuesday, May 18, 2021
Responding To Gender And Racial Stereotypes
Monday, May 17, 2021
Movie Review--Terminator 3: Rise Of The Machines
"The future has not been written. There is no fate but what we make for ourselves. I wish I could believe that."
--John Connor, Terminator 3: Rise of the Machines
As an action movie, Terminator 3 has moments of spectacle. Some of the later scenes with prototype Skynet machines that preceded Terminators capitalize on at least some of their potential. As a drama built around iconic characters, it suffers from a glaring absence of James Cameron's direct influence. The optimism and genuine philosophical and storytelling depth of Terminator 2 are replaced with unhelpful comedic attempts and underwritten characters in this simplistic chase story. 2019's Dark Fate, contrary to what its abysmal financial earnings and controversial reputation might suggest, is a very well-made movie that surpasses the previous R-rated movie in every way.
Photo credit: twm1340 on Visualhunt.com / CC BY-SA |
Production Values
The special effects of Terminator 3 actually hold up fairly well compared to plenty of other films from the early 2000s, both with regards to CGI and practical effects. The endoskeleton and arm-based weapon of the T-X in particular do not look terrible even by modern standards of CGI! Other Skynet machines, including smaller models of the Hunter-Killer drones seen in the futuristic warfare of other Terminator films, can look slightly more artificial. The T-101 played by Arnold Schwarzenegger would naturally have the easiest time getting portrayed with practical effects, and this is fitting, for Arnold's Terminator is less personable than the model he played in Terminator 2 ever was. His character is reduced to more of a comedic character without the previous depth both in writing and presentation. The dialogue even suffers in other cases as well.
With John Connor, it does not help that the performance is so different from before. Edward Furlong's younger John Connor has a stronger onscreen personality in Terminator 2 than Nick Stahl ever does in Terminator 3. The characterization of John Connor has changed--not that it is bad or even unrealistic for some people in entertainment to undergo very noticeable changes--in a way that does not build off of the previous portrayal very organically given the dialogue. Kristanna Loken has few lines as the T-X, which is perhaps for the best, given how Arnold's actions and lines are used for humor more than before. Her "Terminatrix" prefers to use silence and force to accomplish its goals. It is actually Claire Danes as John Connor's future wife Katherine Brewster that probably gives the strongest acting efforts of the entire cast. Katherine might not be a figure entrenched in former Terminator lore, but Claire at least shows more emotion than Nick.
Story
Some spoilers are below.
John Connor wanders from one location and job to another carrying memories of how his mother helped stop Judgment Day, the day of a genocidal machine rebellion against humanity. A new Terminator, possessing the shapeshifting abilities of the antagonist from Terminator 2 and new features alike, is nonetheless sent to kill him and several other future resistance members. Meanwhile, a computer virus has taken over part of a military network, the response to which involves a plan to have a separate program eliminate the virus. It is this very attempted solution that births Skynet, but a Terminator is also sent to save John's life yet again, ensuring he survives the initial missile launches.
Intellectual Content
Rise of the Machines is the first Terminator film to actually show Skynet take power over humanity, rather than only having its future activities talked about. Because of this, and because of the way in which Skynet triggers Judgment Day, the possible dangers of artificial intelligence are more directly portrayed. Skynet is given control of all American government computer systems in order to purge a major computer virus that is later said to be part of Skynet itself. This scenario is logically possible, as it contains no conceptual contradiction, but there is such an exaggerated level of concern over artificial intelligence in the current age that it needs to be emphasized that there is no such thing as an "inevitable" uprising of machines against humans. The internet has come a long way since the year in which Terminator 3 is set, and artificial intelligence of the kind seen in Terminator units is not mainstream at all. Even if it was, it would not follow that even a truly conscious AI will despise humans or lash out at them.
Conclusion
Terminator 3 could have been far worse than it turned out, but it is at most a heavily diluted example of what the series is capable of. It even shares some plot and thematic similarities to Dark Fate, the sequel that actually ignored Rise of the Machines, Salvation, and Genysis, and it still manages to squander them. Both feature antagonists that amount to modified versions of the hostile Terminator from the second film. Both emphasize the supposed inevitability of Judgment Day. A sort of fatalism (or at least seeming fatalism) hangs over the events in both, but Dark Fate is clearly the superior script, action film, and philosophical mouthpiece. Terminator 3 simply lacks the sophistication and nuanced characterization of the best the franchise has to offer.
Content:
1. Violence: Most of the fighting is bloodless, but several scenes show intense physical brawls, and some blood is shown at times. The T-101 (Arnold's Terminator) cuts its torso open onscreen in one scene, peeling away its artificial skin to remove a damaged power cell.
2. Profanity: "Shit," "fuck," "damn," and "bitch are used.
3. Nudity: The Terminator sent to kill John Connor once again is shown naked from behind when it first arrives in the past. Likewise, the Terminator sent to protect him also is shown naked, this time from a crouched profile perspective. This second android is later seen from behind before it obtains clothing.
4. Sexuality: The man Arnold's Terminator takes clothes from is a stripper performing at a bar. While the context is explicitly sexual, the stripper and his crowd of eager, admiring women are shown clothed.
Sunday, May 16, 2021
The Rebellious Angels Of 2 Peter 2 And Jude
Saturday, May 15, 2021
The Depth Of Rationalism
Friday, May 14, 2021
The Self-Perpetuating Trap Of Poverty
Thursday, May 13, 2021
Contradicting Social Conditioning
Wednesday, May 12, 2021
God And Mammon
Tuesday, May 11, 2021
Shallow People And Deep Aspects Of Philosophy
Depth manifests intellectually or personally in several ways, with precision, autonomy, and philosophical significance being among the markers of intellectual depth and passion, complexity, and sincerity being among the potential markers of a more personal kind of depth. Small flashes of either kind of depth are scattered throughout the lives of most people, yet only a rare person wholeheartedly possesses the depth of consistent rationality and authenticity. This is not because only a few people have the chance to identify or cultivate depth. No, deep truths are always accessible to any being capable of reasoning out logical truths, and expansive inner life is within the grasp of any being capable of introspection. The issue is a failure to rationalistically understand and pursue depth of any kind.
It is entirely possible for very philosophically deep issues--deep in the sense that they are metaphysically/epistemologically important, precise, or both--to be misunderstood by shallow people. Indeed, this happens all the time. Since every aspect of reality and therefore every aspect of life has a philosophical nature, every person who trivially or incompetently handles an issue like epistemology (in all of its applications), moral concern, and the inescapable scope of truth has done exactly this: they have approached or recognized that which possesses great depth with halfhearted and random intentions at best. They have squandered the plentiful opportunities to embrace depth that have already come their way.
Each person is surrounded by philosophical truths and issues at every moment of their life. While all truths are part of reality, some aspects of reality are either more foundational or central or have more extensive, philosophically important ramifications than others. This means no one is truly isolated from matters of immense depth even if they fail to acknowledge them, search them out, or eagerly reflect on them. Depth is within everyone's grasp and yet almost no one consistently understands what depth even is or tries to pursue it for the sake of aligning with reality. At best, this kind of typical non-rationalist latches onto several personally appreciated concepts that they do not even explore thoroughly.
People who have never displayed any signs of looking beyond mere perceptions, whims, and preferences to see things as they are have the potential to understand things of great depth, yes, but they have either scarcely developed their own intellectual and personal depth or they have consciously fled from doing so. Both intellectual and personal depth are not part of their lives in any consistent sense as long as they refrain from orienting their lives around genuine rationalism. It is therefore delusional to believe or sincerely act as if every person has immense depth just by being a person. Otherwise, everyone would brim with philosophical and introspective depth rather than sporadically display hints of their ultimate potential for pursuing depth.
Rationalism, the cure for avoidable ignorance, inconsistency, and intellectual aimlessness, is of course the cure for superficiality and stupidity as well. There is nothing more superficial and stupid than living an entire adult lifetime without even dedicating any thorough thought to matters of truth and how to respond to various truths. A rationalist can go far beyond those who remain adrift in shallow priorities and worldviews that reflect nothing more than asinine preferences. Yes, even people with the most irrationalistic beliefs possible (those entailing an outright, direct rejection of reason as inherently true) inevitably brush up against issues of great depth, but blind, happenstance contact with truth does not indicate anything deep about the people in question.